The mirror is also a potent tool for illustrating this distinction. The thoughts of the dualistic judging mind are symbolized as clouds that arise and dissolve in the open vastness of the skylike nature of mind.
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In Dzogchen texts various symbols distinguish between the conceptual dualistic “mind” and the self-liberated, non dual “nature of mind”. The Tibetan Buddhist teachings known as Dzogchen were the inspiration for these visions. The finished altarpiece, Nature of Mind, is my homage to the artists and wisdom masters of Tibet. As I was working on the painting, a poem related to each panel came through me. I spent the next year painting each scene and sculpted an unusual frame to hold the paintings. As soon as I drew one image, another replaced it until I had drawn a complex seven-stage journey of a wanderer discovering the spiritual path, having an introduction to his own true nature, embodying that truth, and reentering society. Poulsen’s senior synopsis is a beautiful example of skilled artistic prowess and exemplifies the mission of UD through displaying aspects of the Core curriculum, in depicting the divine feminine, while fully expressing her personal beliefs and individual thought.One morning, a series of seven visions flashed into my mind. It’s like that crash and burn right after you’re thriving so much.” You’re very bloated, you can’t focus, you get that mind fog. “Drama Queen” shows the decline in energy and positivity that follows the peak of the cycle. “And that’s like that thriving part of a woman, you know, like, she’s getting everything done.” “You’re very focused, you’re very feminine, you’re very energetic, and flirty and fun,” Poulsen said in reference to the piece. “Rising Queen of Hearts” shows the height of the female cycle, through a vibrant and active piece. She depicted through her two paintings two of the natural phases that all women experience. “I wanted to focus on this feminine part because I feel very feminine as a woman myself and I wanted other women to be able to see it and see themselves in it.” Using the complimentary depictions of men and women, Poulsen wanted to focus on the depictions of women, showing a beautiful, but realistic and relatable woman. And so I made the back of the canvases or the face like the background of it was all black to represent that.” “I did a lot of research on the feminine and the Yin Yang,” Poulsen explained, “It’s represented by the dark side, the black part and then the white part is the divine masculine. In her own research, Poulsen studied several other cultures’ understandings of the harmony between men and women, especially eastern. In several Core classes, such as Understanding the Bible and philosophy, Poulsen learned about a Christian or western understanding of the relationship between men and women. I tried to create an image of the divine feminine, which is something that we learned a lot about with like ancient Greek cultures, ancient Egyptian cultures,” she explained. “I was predominantly focusing on femininity. Utilizing her love for painting, Poulsen created two collage style paintings, both highlighting the “divine feminine.” But then after Mihee taught me how to properly use oil paint, it created that understanding in me and that love for it once I figured out how to do it.” There’s not a whole lot of mediums that I can’t work with painting was just a really frustrating one for me. It was the one thing that I couldn’t figure out how to use and I love art. “She just created a love for the medium within me,” Poulsen said, “prior to that I had no interest in painting. Poulsen credits her love and understanding of painting to Mihee Nahm, a painting instructor at UD. And that’s the one constant in my life.”Įntering UD as a freshman, Poulsen’s favorite medium was drawing, but sophomore year she discovered a love for painting, which was one of the main mediums used in her exhibit. “I always knew that I was going to do art,” Poulsen said, “I’ve always been an artist. This exhibition marks a great milestone in her lifelong journey as an artist.
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Photo by Kelly Dougherty.Įva Poulsen, a senior art major, recently participated in an exhibition displaying two pieces titled “Rising Queen of Hearts” and “Drama Queen” in the 2022 senior synopsis at the University of Dallas.
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(left) and “Rising Queen of Hearts” (right). Eva Poulsen with her two paintings, “Drama Queen”